Posts Tagged ‘processing’

Fine Collection of Curious Sound Objects

April 2nd, 2012 by NearInteraction

“The arrangement includes six exceptional exhibits from the world of sounds and acoustics. At first sight looking trivial, each object incorporates a very unique ability.

The magical character of each object is accompanied with a little story, almost completely concealing the existence of technical components such as speakers or sensors. Only small connection ports as well as the uniform black finishing point to their unusual abilities.

Processing is used for recording live audio input, modifying the playback and generating digital sound according to sensor data.

In form and functionality all these exhibits pursue John Maeda’s „Simplicity“. They are enjoying to use, they are surprising and one wants to explore and investigate them.”

Georg Reil


Emotive Data: Narrative Mapping as a Tool, Processing Workshop in London

April 28th, 2010 by NearInteraction

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As a taster of more to come, NearInteraction ran a fully booked-out weekend workshop in London this past weekend.

The Processing workshop, designed to serve as a solid introduction to the computer programming language for a mixed disciplinary group of inspired beginners, kicked off on Saturday with an animated discussion led by Diogo Terroso on Information Design versus Data visualization, followed on Sunday with a presentation on Narrative Techniques towards designing Emotive Data by The Earth is Not Flat‘s Crystal Campbell and Nina Honiball.

We won’t say anything just yet, but we certainly have some more surprises up our sleeves!


VJ Fader faderTouch Visual Synth – BeiJing Studio

November 26th, 2009 by NearInteraction

VJ Fader’s extended VJ set, using faderTouch touchscreen interface controlling visual synthesizer programmed in Processing. Track is “Holding The Moth” by Underworld (Audiojack Remix), taken from 64er’s Summer 2008 mix compilation.
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